I began with this feeling for something long and tactile to
be handled and be heavy to hold. I proceeded with this discarded wood with the
intention to give it a fake facade and then, with the red, "scar" the
"perfection" of the white and puncture its apparent seamlessness. I
wanted to "bloody" the pristine - to bring about the human to the
method. It is my struggle in my design - not necessarily in the technical portrayal
of my work, but bringing the human into my work, the disorder, the imperfection...in
hopes to bring about true beauty.
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